Abstract
Shakespeare studies Nature in the context of human behaviour. His drama deals with transformations and he displays these changes on both social and personal levels through alternating the graphic images from characters to situation. In an authoritarian society where lives of women were governed by a belief system which resulted out of Nature’s disposition of preordained roles in society, the portrayal of dominating female voices would have bothered many. Shakespearean drama is a protest against the society which is always dominated by the destructive forces of male paranoia, egocentrism, patriarchal instinct of exploitation of the weak, male sexual anxiety and corrupt abuse of rules of justice by the powerful. A study of the female mind presented in Shakespearean drama is seen at its best in The Winter’s Tale. The following article is an attempt to explore some of the aspects of Womanhood in Shakespearean art.
References
Burnette, Amy Katherine. (2010). An Art That Nature Makes?: Shakespeare’s Ambiguous Garden in the Winter’s Tale. Appalachian State University. Retrieved from: https://libres.uncg.edu/ir/asu/f/Burnette,%20Amy_2010_Thesis.pdf
Belsey, Catherine. (1999). Shakespeare and the Loss of Eden. Palgrave Macmillan.
Dusenberre, Juliet. (1996). Shakespeare and the Nature of Women. Palgrave Macmillan.
Hawkes, Terence. (1992). Meaning By Shakespeare. Routledge.
Jensen, Phebe. (2004). “Singing Psalms to Horn-pipes: Festivity, Iconoclasm, and Catholicism in The Winter’s Tale.” Shakespeare Quarterly 55.3. Retrieved from: https://www.researchgate.net/publication/236817860_Singing_Psalms_to_Horn-pipes_Festivity_Iconoclasm_and_Catholicism_in_The_Winter's_Tale
Porter, Chloe. (2013). Making and Unmaking in Early Modern English Drama (‘In the Keeping of Paulina’: the Unknowable Image in The Winter’s Tale). Manchester University Press.
Shakespeare, William. (2008). The Winter’s Tale. The Norton Shakespeare. Eds. Stephen Greenblatt, Jean Howard, Katherine Eisaman Maus, and Walter Cohen. New York: Norton.